Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

The Girl in the Spider’s Web

The Girl in the Spider’s Web                        2 ½ stars

The Girl in the Spider’s Web is the new reboot of the “Girl With the Dragon Tattoo” series of movies that first came from Sweden , then remade in the US.  It is the first based on a novel not written by author Stieg Larsson nor was it directed by David Fincher.  This movie continues the story of Lisbeth Salander (Claire Foy), a brilliant cyber tech hacker and vigilante against men who hurt women.  The journalist she teamed up with before, Mikael Blomkvist is still here but has a much smaller role in this film, so the chemistry between the two has completely vanished this time around.  Also missing is the personal nature of the conflicts that are so unique to the earlier films.  Instead Salander has almost become a female James Bond who is seeking to protect the world from a nuclear threat posed by a sinister international terrorist organization called the Spiders.  There is plenty of action as Lisbeth makes many daring escapes and rescues the targets of these terrorists.  There is also a certain amount of intrigue as the intensions of many players are only slowly revealed, a trademark of any good international thriller.  The use of technological gadgetry leads to some amazing scenes that sometimes stretches the limits of believability.  I found that to be somewhat distracting at times.  Also, I found that there were a little too many references to the name Spider.  About the sixth time that a spider crawls out of a hole or crevice I wanted to scream “OK. I get it already. It’s about spiders!”  Hopefully, this will be the last of the Dragon Tattoo series.  This story has been pretty well spent.

The End of Oak Street

The End of Oak Street    4 stars

Have you ever wondered what you would do if you happened to see a dinosaur outside your house one day? That is the question addressed by the filmmaker of It Follows and Under the Silver Lake, David Robert Mitchell. He takes his penchant for freakish happenings and applies it to the creatures run amok genre in The End of Oak Street. He starts us out by following the Pratt family at an outdoor block party in a 1984 suburb complete with sack races and hot dog roasting. This all-American family consists of husband Greg (Ewan McGregor of Star Wars and Moulin Rouge) and wife Denise (Anne Hathaway (who seems to be working non-stop this year. See Mother Mary and The Odyssey.)) and their children Audrey (Maisy Stella of My Old Ass) and Brian (Christian Convery). Although they appear to be normal from the outside there are hints that something is not right in this family. Greg is troubled and has been taking odd jobs to earn more money. Daughter Audrey is very interested in science and wants to attend Cornell. (She even mentions Carl Sagan.) Brian has taken an interest in a new girl who has moved into the neighborhood but is also avoiding contact with the local bully. Denise is the strong member of the family who is holding it together while working on her novel hoping to be published. She has a very direct way of dealing with a particularly irritating neighbor. But then after some strange happenings involving flashing lights at night and loud noises, things are profoundly different for the family and everyone else in the neighborhood when large dinosaurs, straight out of Jurassic Park appear and chase down the residents, occasionally turning them into a light snack. Some investigations of the surroundings reveal that the entire neighborhood has been transported back in time for hundreds of millions of years and now exists surrounded by jungle in a prehistoric era which is inhabited by dinosaurs of all varieties. Between episodes of being chased by these creatures and keeping the family alive, we see the fear on Denise’s face, but also the frustration of dealing with Greg’s inability to come to grips with the reality of their dire situation. The movie is really sold by the acting talents of Anne Hathaway who surely will get at least one Academy Award nomination this year. A great deal of the movie is devoted to the characters facing each new threat from a different creature and successfully handling it. (The same cannot be said about some of the neighbors who become dino food.) Things become more terrifying when the family members become separated from one another. In one notable scene, an enormous boa is seen wandering silently through the house until the moment it is about to strike. The End of Oak Street is obviously influenced by Steven Spielberg’s films, but it definitely has a sharper tone to it. There are some scenes you would not see in a Spielberg movie, such as the enormous piles of dinosaur excrement dotting the lawns and some of the graphic deaths. There are a few “Holy Shit” moments. It shares some aspects of certain Twilight Zone episodes as it shifts into another dimension. Without revealing anything about the ending I will say that the resolution of the whole situation feels rather convenient. Overall, I highly recommend seeing this one. David Robert Mitchell is reportedly working on a sequel to his hit horror movie, It Follows, which I will be watching for.

Io Capitano

Io Capitano         5 stars

In Matteo Garrone’s Io Capitano we follow the journey of two teenage boys from their home in Dakar, Senegal across Africa to Tripoli and then across the Mediterranean Sea to Italy as they follow their dream for a better life. After earning what they think is a lot of money, Seydou and his cousin Moussa leave their mothers without telling them and despite all the warnings of how dangerous this journey is. Along the way through Africa they are taken advantage of by anyone who senses they have money, including a passport forger; they ride in the back of a pickup truck with up to twenty men across the Sahara Desert and when one man falls out the driver will not stop, leaving him to die in the desert, they are robbed by the police in Libya and sent to prison where they are tortured so that they will call home for more money. And they are finally put on a boat crammed full of refugees where Seydou is forced to be the one piloting the boat without any experience. Fortunately, along the way they do encounter some kind souls that help them out. Besides this being Seydou’s story, it is also the story of so many refugees who risk death and deplorable conditions to make it to Europe for the promise of a better life. The movie is remarkable in two ways. It shows the immensity of the landscape these people are facing making you wonder how bad things must be for them to attempt such a punishing trip. And it displays the acting skills of young Seydou Sarr as Seydou who genuinely displays the emotions of joy and terror and back again as his character endures unimaginable cruelty at the hands of those who only see these unfortunate people as a way of profit. The movie received an Academy Award Nomination for Best International Feature in 2024 and must have been in contention to win. After seeing this movie, you will not think of boat people the same way.

2024 Oscar Nominated Short Films Live Action

2024 Oscar Nominated Short Films Live Action

“Invincible” by Vincent René-Lortie and Samuel Caron

From Canada, comes the live action short Invincible which was inspired by a true story. It is about a young teenage boy who at the beginning of the film finds himself being chased by police, calls his mother on the phone and then in an act of desperation kills himself to prevent being captured. The shocking opening is followed with a flash back to a happier time being spent with his parents and sister swimming at a lake. Then we learn that he must be returned to the juvenile facility that he has been sentenced to. For the rest of the short we share in his experiences of anguish over his situation. He is clearly in a great deal of pain despite the encouraging words from one of the counsellors. It is a gripping tale of the hopelessness and self-loathing that this young man went through before escaping through the only means that he could see.

“Red, White and Blue” by Nazrin Choudhury and Sara McFarlane

Finally, there is Red, White and Blue, starring Brittany Snow (of Pitch Perfect, American Dreams and Almost Family) in this searing indictment of the abortion laws that are taking over much of the country. Snow plays Rachel, a single mother of two young children who is trying to make ends meet by working as a waitress in a diner. Early we see that she is struggling to raise money for a much needed abortion. Because of the laws she must travel several hundred miles from her home to get to an abortion clinic and find a way for her kids to be cared for. Then she is able to make the long journey thanks to the generosity of a stranger she meets at the diner. It is only later that we learn how much worse the situation is for her. The short lays out just how inhumane some of these abortion laws are and the effect they have on the less fortunate.

2024 Oscar Nominated Short Films Animated

2024 Oscar Nominated Short Films Animated

“Pachyderme”, by Stéphanie Clement

This animated short film tackles the delicate subject of family incest and repressed memory. It is very colorful and uses a more traditional method of animation. The main character is a little girl in the south of France who visits her grandparents in the countryside. Her adult self says she doesn’t like when her mother leaves and speaks of battling monsters in the narrative. She often spends time with her grandfather, but also, she is alone on a swing set or in a lake. The “pachyderme” reference of the title is of a large elephant tusk that is in the house as a trophy which seems to reference the monster that we never see. Any inappropriate actions are only barely hinted at on screen. The only sense of something being wrong is the disconnected way that the girl is drawn. The film effectively creates mixed feelings from the audience.

“WAR IS OVER! Inspired by the Music of John & Yoko” by Dave Mullins and Brad Booker This animated short is also done in a traditionally drawn manner and depicts an alternate version of World Way I with long periods of inaction in the trenches. The nationalities of the warring sides seem to be generic not representing any specific combatants, but they are obviously different from each other. The action centers on a carrier pigeon that flies from one side of the trenches to the other while carrying chess moves written on a scrap of paper. A soldier from each of the two countries are having a chess match that moves one turn at a time whenever the pigeon makes its journey. The action starts out very slowly and gradually builds generating more interest from the other soldiers until the match is interrupted when the order comes for the assault to begin. The climax comes when the two opposing soldiers meet face to face on the battlefield with one recognizing the notes with the chess moves written on them. It is only at the end of scene when John Lennon’s familiar song “Happy Christmas (War is Over)” plays that we see the inspiration for the short that gives hope for a time when war can become a thing of the past. We may have forgotten that Lennon’s song was originally a protest against the war in Vietnam.

2025 Oscar Nominated Short Films Animated

2025 Oscar Nominated Short Films Animated             4½ stars

Yuck!     France

This stylistically simple animated short tells what happens when we let peer pressure force us to conform to other’s expectations. It can deny us the happiness that we desire. We observe a group of children exploring the family campground where they are staying. The children like to spy on adults of all ages and when they spot a couple engaged in kissing, they yell in disgust, point at them saying Yuck! Only in this world when people are thinking of kissing their lips glow with sparkling pink, so we get a clue of what’s coming. One of the children, Leo, finds himself thinking about another child, Lucie, and is embarrassed when his own lips start to sparkle. Lucie must be thinking the same thing, because she experiences the sparkling lips as well. Leo hides in shame when the other kids spot them and make fun of Leo, realizing that this is unacceptable behavior to his peers. However, when he is inside the tent at night, he can spot the glow coming from his own parents, then when he peers outside, he can see that all of the tents in the campground have the same pink glow; thus, revealing that what he is feeling is neither unusual nor shameful. So, he might just find the courage to act on his feelings, realizing that the taunts of others are just an act of hypocrisy.

Wander to Wonder         Netherlands/Belgium/France/UK

A much different style and darker tone are featured in the shop motion animated short Wander to Wonder. In this extremely detailed piece, we meet Uncle Gilly, a children’s TV show host who has created an animated show in eighties style using a video camera and VHS tapes. His show features three animated characters who look like fuzzy bear puppets whose antics are suitable for children. Gilly has conversations with them while filming them for broadcast. Later, we see the shoes of Uncle Gilly still on his feet suggesting that he has passed away. The three characters live on and are left to fend for themselves in the decaying studio that now has flies accumulating around Gilly’s body. We see that the fuzzy characters are actually tiny humans in costumes, and they now have to find ways of surviving as they look for scraps of food in the confines of the studio. Left unsupervised, they descend into depravity and lose any sense of decency. They experiment with schemes to escape their situation that could lead to their demise. The film is a bold statement that reminds one of Lord of the Flies. The animation is impeccable and remarkably realistic.

2025 Oscar Nominated Short Films Live Action

2025 Oscar Nominated Short Films Live Action          4 ½ stars

This week I saw more of the Oscar Nominated Shorts; this time it was the live action shorts. As always, they are from all over the world and have a good message for us. Here are two of my favorites, both of which deal with the harrowing effects of racism.

A lien                     USA       4 stars

In A lien by directors Sam and David Cutler-Kreutz, we are told the story of a young couple, Sophia and Oscar who show up for their appointment at a US Immigration center. Sophia is a citizen and Oscar is undocumented, though he has lived in the US for most of his life. They have their five-year-old daughter in tow. Following protocol, the two are separated for their interviews with an immigration agent. Suddenly, there is some commotion, and Sophia sees that US ICE Agents have shown up and are starting to round people up. It seems that a raid is being conducted just at the moment the unfortunate couple have come in for their interview. For some added context we see a shot of a television in the room that is showing President Trump speaking during his first term. Sophia tries to text Oscar, who is in a different room trying to warn him but is unable to get a response. The tension rises as Oscar realizes something is wrong and tries to escape the building with his daughter. Throughout the process we can see the apathy exhibited by the immigration agents just doing their jobs. The fact that ICE is able to use the Immigration offices as a place to conduct their raids shows just how hypocritical the US immigration laws are. This fact is displayed on the screen at the end of the short. We see the uncertainty that people who have built their lives here have and the fear of being deported to a country they have little memory of.

The Man Who Could Not Remain Silent  Croatia/Bulgaria/France/Slovenia             5 stars

In what must be the most frightening of the five shorts presented, The Man Who Could Not Remain Silent starts with a group of passengers who have boarded a train, all speaking a Slavic language. In one train compartment are gathered a family including Dragan, a young man named Milan and two other older men. The train is stopped by a group of uniformed soldiers who are demanding to see everyone’s ID’s, so things get very tense for this group of passengers. Milan tells Dragan that he has no ID, so Dragan tells him not to worry as they will all stick together. We can surmise that Milan is Muslim and everyone else is Christian. Then one of the soldiers starts to question Dragan and we know things are going to get worse when he is asked to say who his patron saint is. When it is Milan’s turn, he must reveal that he has no ID and is told to come with the soldier. By now we can conclude that this is a paramilitary force without any actual connection to the government. During this line of questioning Dragan remains silent not offering any defense to poor Milan. Finally, one of the older men in the compartment speaks up telling the soldier to leave Milan alone. He reveals that his name is Tomo and that he is a retired army officer. He demands to speak to the soldier’s superior officer so that the situation can be resolved. At the end the camera pans around the compartment showing that everyone is still there except for Tomo. The setting of the film is the genocide that happened in Bosnia and Herzegovina in 1993. The film shows us that in a situation involving ethnic cleansing it’s not only the victims that suffer but also those that want to help but can’t if it means putting their own lives in danger. Tomo, who lived and is memorialized in the end credits, is the title character and the hero who put his own life on the line by defying the evil that only seeks power for itself. The film makes a very powerful statement about how different people react to facing those abusing their power.

Wallace & Gromit: Vengeance Most Fowl            4 stars

Wallace & Gromit: Vengeance Most Fowl by the British team of Nick Park and Merlin Crossingham continues the tale of these two close buddies in the second feature film of the series. There are many short films featuring these lovable characters though that are masterful in their use of stop motion animation. This time inventor Wallace has fallen on hard times as he can’t pay his bills, though he keeps on inventing gadgets that help him with his morning routine. He has come up with something new in the form of a robot that looks like a gnome called “Norbot”. Norbot is fully automatic and is programmed to do the chores around the house, something not very welcome to Gromit, Wallace’s canine friend, who sees Norbot’s work in the garden as an intrusion, not something helpful. The constant happy look on Norbot’s robot face is also disquieting. Soon Wallace starts a business renting out Norbot to neighbors doing their yardwork. There is another disturbing character in this story and that is the master criminal Feathers McGraw, the penguin who was sent away to prison long ago thanks to Wallace & Gromit. So, when McGraw finds out what Wallace has done with his gnome robot, he comes up with his own very inventive plan to get revenge on the pair. He is able to access Norbot’s programming via the internet and change its setting from Good to Evil. Norbot then sets about creating duplicates of himself to form an army of robot gnomes that are themselves programmed to create havoc in the neighborhood. The resulting crime wave gets the attention of the bumbling chief inspector Albert Mackintosh and his sidekick PC Mukherjee who trace the troublesome gnomes back to Wallace, just as the evil Feathers McGraw has intended. Of course, this leaves the solving of the crimes up to the faithful, but silent Gromit who must identify McGraw as the real criminal and find a way to stop him. Poor Wallace just can’t imagine that Norbot, his creation, could do anything wrong. There is plenty of action and comedy in this animated tale, that has more than a few references to the James Bond and Mission: Impossible movies that adults will enjoy. McGraw’s manner and master plans will remind you of the supervillains in these movies. Besides being fun and cute, the movie raises questions about the place of automation in our society and whether it is preferred to have that human touch of doing things ourselves. The movie is a short 79 minutes making it very easy to go through it in one sitting. Of course, there are certain things that will appeal more to British audiences, but it’s fun for everyone else too. Wallace & Gromit was nominated for the Best Animated Feature Academy Award, which is well deserved.

2026 Oscar Nominated Short Films Live Action

2026 Oscar Nominated Short Films Live Action

I completed my viewing of all the Oscar Nominated Short Films with the Live Action Shorts. They varied from the amusing to the absurd.

The strangest short by far is the French entry, Two People Exchanging Saliva by Natalie Musteata and Alexandre Singh. It is a disturbing story taking place in a dystopian future. Most of the film takes place in a high-end department store where the employees must have their breath checked upon entry to make sure they are not brushing their teeth. The customers pay for their purchases by being slapped in the face by the salespeople based on the price of their goods. In this world kissing is prohibited and anyone caught is put to death and the body placed in a cardboard box that is discarded in a pit. In the story a young salesgirl connects with an older woman customer with the two playing a game pretending that they know each other. This type of behavior is forbidden. It is filmed in all black and white using creative filming techniques to create dread and confusion. It’s a story about denied intimacy and casual violence.

From Israel comes a story about prejudice called Butcher’s Stain by Meyer Levinson-Blount. It features a young Palestinian man working in an Israeli market as a butcher. It takes place during the Gaza war, so tensions are high between Palestinian and Jewish people who share the same space. The story centers on false accusations made against the Palestinian butcher by one of the Jewish co-workers and his efforts to defend himself. The story seemed a little flimsy to me with some unnecessary scenes. It was not my favorite.

2026 Oscar Nominated Short Films Documentary

2026 Oscar Nominated Short Films Documentary

For the first time ever, I watched the Oscar Nominated Documentary Shorts. Usually, they are hard to find and are only in theaters for a short time. The five films are all excellent and deserve to be nominated. Most of them deal with very troubling stories and situations. My two favorites are Armed Only with a Camera: The Life and Death of Brent Renaud and Children No More: “Were and Are Gone”.

Armed Only with a Camera: The Life and Death of Brent Renaud by Craig Renaud and Juan Arredondo, is a documentary about Brent Renaud, the first photojournalist to die in the Ukraine war in 2022. The film presents his amazing life as he traveled to dangerous locations, including war zones, to bring the stories to us. We see him in Guatemala, Sudan, Iraq and Afghanistan and even in the streets of Chicago. Many of the scenes are quite horrific. It is a very memorable film about a man dedicated to his craft. His younger brother Craig, who often worked with him, co-directed the film. I highly recommend it. The film lasted 37 minutes.

A film that has a lasting impact is Children No More: “Were and Are Gone” by Hilla Medalia and Sheila Nevins. The documentary takes place in Israel during the conflict in Gaza and is about an organization of Israeli activists whose mission is to see that the thousands of Palestinian children who have been killed in the war are not forgotten. The group places photos of the children who have been killed on posters with their names and ages and the words Was and Is No More. Then they gather in large groups in public places and display the pictures. For many of the children there are no surviving photos, so they use paintings of flowers and plants in their place. The group’s demonstrations are completely silent, but they still must endure the insults of fellow Israelis who see them as traitors for not honoring the Israeli dead and hostages resulting from the conflict. The film is very emotional and is 36 minutes long.

2026 Oscar Nominated Short Films Animated

2026 Oscar Nominated Short Films Animated

I saw all five Oscar Nominated Animated Shorts and found them all entertaining and very creative. My two favorites were The Three Sisters and Forevergreen.

The Three Sisters by Konstantin Bronzit was easily the funniest of the shorts. It uses a crude form of animation with no dialogue. It features three sisters who live on an isolated island reachable only by boat. They find themselves with no money and decide to rent out one of their rooms. Soon a very large sailor arrives and rents the room from them. Before long each sister takes turns dressing up, trying to appeal to the man and party with him. Jealousy results causing many comical situations involving the sisters and their new male friend. It was a comic take on human nature. The short lasts 14 minutes.

Forevergreen by Nathan Engelhardt and Jeremy Spears is a kind of morality play done in very detailed 3D animation. It is set in the woods where a bear cub lives on a mountain with a tall pine tree. The tree wants to care for the tiny cub, feeding him with its own seeds and protecting him. They live there happily until one day when the bear, now grown, gets a taste of some food left behind by humans, gets addicted to the taste and leaves in search of more putting himself in great peril, rejecting the pine tree who wants to protect him. It’s a sweet story about caring for one another to the point of laying down one’s life for another. It is very colorful, has no dialogue and lasts only 13 minutes.