Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Saturday Night

Saturday Night  4 stars

Chevy Chase at the Weekend Update news desk. John Belushi in a bee costume. A profusely bleeding Julia Child. The infamous Land Shark. These are all very familiar images to the fans of Saturday Night Live in its first incarnation back in 1975. Saturday Night, directed and co-written by Jason Reitman (Whiplash, Juno) takes us back to the night in October, 1975, when in 90 minutes the first episode of a revolutionary new comedy show called Saturday Night is set to go live on NBC. The show went on to become a staple of late night television, but those who were there that night had no way of knowing that. Calling the scenes chaotic would be an understatement. In 90 minutes, we see fights breaking out between actors, a fire burning on stage, the sound system failing, one cast member refusing to sign his contract because of a bee costume, a few confrontations with the network censor who can’t quite grasp some of the script’s sexual references and a studio executive threatening to air a Johnny Carson rerun in place of the show. According to what I have read, much of what we are seeing is based on recollections from those who were there on October 11, 1975. It’s hard to imagine that the show was not better planned and had so many loose ends before airing, but this is what we are to believe. Much of the credit for the success of the movie must go to lead actor Gabriel Labelle, (of The Fabelmans) who portrays producer Lorne Michaels trying to keep his cool and deal with a myriad of mishaps. There are a few familiar faces in the cast that include J. K. Simmons as an arrogant Milton Berle, Willem Dafoe as NBC studio executive David Tebet, Matthew Rhys as the show’s host, George Carlin and Nicolas Braun as both a whiny Jim Henson and nervous comedian Andy Kaufman. Jon Batiste appears briefly as musical guest Billy Preston. The casting of the Not Ready for Primetime Players was spot on. The young cast is made up of practically all unknown actors that I did not recognize, but I had no difficulty picking out who it was they were portraying. The look of the comic actors was near perfect from the style of Chevy Chase, the moodiness of John Belushi to the wackiness of Gilda Radnor. The only cast actors that I did recognize were Lamorne Morris (New Girl) as Garrett Morris and Rachel Sennott (Bottoms) as Lorne Michael’s wife and show writer Rosie Shuster. (Rosie plays an important role in convincing John Belushi not to walk out on the show before it even starts.) We gain some insights about the show along the way including that some studio execs wanted the show to fail and were only using it as leverage against Johnny Carson. And we see how Chevy Chase and John Belushi hated each other. (And how head writer, Michael O’Donoghue hated everybody.) We even catch a glimpse of writing team Al Franken and Tom Davis. Those of you who were around for the beginning of Saturday Night Live should definitely see it to see what happened before Chevy Chase said “Live from New York, It’s Saturday Night!” for the first time. Afterward I went back and watched the first episode again. I must say the magic was still there.

Piggy

PIGGY                                                   3 suns

Once again we dive into the horror genre, this time to a rural village in Spain with an especially bloody story about a bullied teenager. Sara works in her parent’s butcher shop and happens to be very overweight making her the object of abuse from some of the other girls in the town. After another day of torment, she witnesses a stranger kidnap and beat three of the girls but is frozen in fear as he drives away with them in his van. Instead of saying anything to the police about what she knows she is intrigued by this stranger and tracks him down for reasons she is not sure of. The film is shocking and especially violent with plenty of bloody scenes. It is a cautionary tale of adolescent behavior and the desire to be accepted. This one is not for everybody.

Last Flight Home

Last Flight Home                              4 suns

Last Flight Home is a special documentary from a filmmaker known to Sundance, that wasn’t even supposed to be made for the public. When her 92 year old father, Eli, decides to end his life, Ondi Timoner is determined to preserve the last two weeks of his life, filming the time spent with the family and the legal process of allowing this voluntary termination according to California law. Eli Timoner was the founder and CEO of Florida Airlines, which he saw grow from a tiny operation in the seventies to a major player in the market in a few short years. Sadly, Eli suffered a stroke at age 53 and had three kids to raise with the help of his wife. The closeness of the family we see in the film is moving and joyful. We can be thankful that this daughter was so willing to share this experience of the passing of life with the world.

Three Minutes – A Lengthening

Three Minutes – A Lengthening 5 suns

This short documentary about a three minute section of color movie film is one of the most fascinating documentaries I have seen. A few years ago writer Glenn Kurtz found a home movie filmed by his grandfather, David Kurtz in 1938 for a vacation to Europe. Among the places he visited was Nasielsk, Poland, a predominantly Jewish village north of Warsaw that was David’s birthplace. The three minutes of film shows the faces of well over 100 people, all Jewish, who were in the street, many of them fascinated by the American who was using his new camera to film them. Of course the tragic thing is that only a year later the Nazis would come to the town and force all the Jewish residents onto the trains taking them to the concentration camps. Only about 100 people from the village would survive through the war. The filmmaker takes us through the extraordinary efforts to find the places and names of the people in this short section of home movie, leading in directions that would find some individuals still living. There are stories even about the fabrics worn by the women and the buttons of coats originating from a nearby factory. The writing has a poetic aspect to it as we realize we feel so close to these people through the pictures, but that the once thriving community was to be lost in such a short time.

Alice

Alice                                      4 suns

An imaginative film that I thoroughly enjoyed was Alice. Alice (Keke Palmer) is a house slave on a southern plantation where she is owned by a cruel white man who maintains discipline through pitiless beatings. One day Alice has had all she can take and makes a run for freedom, only to find herself in modern 1973 America where she meets a kind truck driver named Frank (Common). This blending of time periods is not a case of time travel but represents a southern plantation that kept its slavey practice in place for more than 100 years. In this story Alice quickly catches on to the changes made in America transforming herself in the style of Pam Greer of the blaxploitation films of the seventies. What a cultural statement! The film is an excellent portrayal of the struggle of Black Americans against oppression across eras of American history. During the Q&A, the filmmakers talked about how there have been actual cases of people kept in slavery up to the 1960’s but they did not go into details about how this happened. It would be interesting to learn more about it.

Speak No Evil

Speak No Evil                      3 suns

Sundance always has its share of imaginative horror films so today I took in Speak No Evil. Here a young European filmmaker has conceived a story that starts with a Danish family on vacation in Italy who meet a Dutch couple that they easily make friends with. When the Dutch couple invites them to their home in the Netherlands, they quickly accept bringing their young daughter with them. Then when the hosts start to behave in some odd and eccentric ways such as disrespecting the wife’s dietary restrictions, the visitors do their best to be accepting and maintain politeness. But then as is always the case in horror movies, certain things happen, choices are made and inevitable consequences result. Things do not turn out well for our visitors. If you liked the movie Midsommar from 2019, then Speak No Evil is for you.

Neptune Frost

Neptune Frost                   1 sun

Neptune Frost is a futuristic science fiction story set in Africa with an all African cast and filmed in Rwanda. It concerns a rebellion of miners against an authoritarian state that is led by an intersex runaway named Neptune who is able to affect events through the internet. There is much poetic language and imaginative music involved and much use of discarded computer parts to create the art in the film. Though creative, this film just did not connect with me. I think it shares some themes of William Gibson science fiction novels, but it took a while before I started to get the ideas behind it.

RIOTSVILLE, USA

RIOTSVILLE, USA               3 ½ suns

The lone documentary for today was RIOTSVILLE, USA taking us back to 1967 and 1968, a time when unrest was impacting America’s cities brought about by the racial injustices of the era. The usual government response was to put down the riots with police forces outfitted in riot gear. The filmmakers researched and found archival footage of two mock towns the army built called “Riotsvilles” that were used for training military and police how to respond to domestic civil disorder. It covers the establishment and findings of the Kerner Commission, created by the Johnson administration to make recommendations for dealing with this civil unrest. The commission was made up of only moderates but still made some recommendations that the conditions of the unrest needed to be addressed. However, the only steps actually enacted were those dealing with increased funding and training for the police. (How predictable.) The documentary is also notable for covering the events of the 1968 Republican National Convention held in Miami. Everyone has seen pictures of the Democratic Convention in Chicago, but few can remember the convention where Richard Nixon received the nomination and the protests that accompanied it. The film points out that the police there were trained at the Riotsville facility. It is a fascinating story of one aspect of the sixties that is long forgotten.

The Territory

The Territory                      4 suns

In The Territory we return to Brazil to the Amazon rain forest in this documentary about a small tribe of indigenous people called the Uru-eu-wau-wau who eke out an existence largely separate from the rest of society. Unfortunately for them, with Brazil’s right wing government comes the spreading of farm land into the Amazon that threatens the tribe, which now consists of less than 200 people. The filmmakers filmed both sides of the conflict, staying with the natives in the forest and the farmers as they try to establish a new home. The filmmakers don’t take sides on the issue, but allow the people to tell their own stories. We see also the story of one woman, who is not a native, but joins in their fight to save the land through working with the government and journalists to raise awareness of their plight. To make things even worse for them, the threat of Covid arrived during filming taking the lives of some of the tribe. The importance of the rain forest’s destruction expands with the realization that it threatens to accelerate climate change, bringing the subject to a global significance. The film has to be one of the most challenging to make and at the same time dealing with a subject of the greatest importance.

Framing Agnes

Framing Agnes                  2 suns

Framing Agnes has to be one of the more unusual films I have seen at Sundance. It concerns a study of transgender individuals that was conducted at UCLA in the 1960’s by a Harold Garfinkel. Agnes, a transgender woman is one of the main subjects of the film. All that exists from the study are the transcripts of the interviews that Garfinkel conducted with his subjects, both female and male. Therefore, the filmmakers conduct reenactments of the interviews using transgender actors playing the parts of the participants. You can’t really call this a documentary, but it is more a reimagining of trans history. Some of the participants in the study are said to be less than honest as they use their chance to speak as a way to portray themselves how they want to be seen. The film is both informative and funny, but I have to say not something I can begin to really understand.