Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Won’t You Be My Neighbor

Won’t You Be My Neighbor?       5 stars

The documentary by filmmaker Morgan Neville explores the work of Fred Rogers and his long running children’s TV show “Mister Rogers Neighborhood”. It tells us what a radical departure the show was to what passed for Children’s television back in 1968. By using footage from the show and interviews with his wife, the show’s staff and others that knew him, it gives us a close look at Fred Rogers’ philosophy of life and his way of communicating with young children through his use of puppets and discussing frank issues in a caring way. I confess that I never watched the show when I was young preferring those loud and silly shows referred to in the documentary. The film shows how Fred Rogers was determined to help children make sense of some very troubling issues of the times including violence, death and divorce. The movie is only one and a half hours long and is well worth the time spent.

Ford v. Ferrari

Ford v Ferrari     5 stars

Ford v Ferrari tells the story of two individuals who joined forces with Ford Motor Company to build a race car that could challenge the dominating Ferrari in the 24 hours of Lemans in 1966. The superb cast is led by Matt Damon as Carroll Shelby, American car designer and Christian Bale as Ken Miles, British born fearless race car driver. Both display a passion for the craft of racing in convincing fashion. The two have to battle the corporate meddling of the executives at Ford Motor Company who are more concerned with appearances and marketing than understanding what it takes to win a race. Of course the real show are the racing scenes with cars reaching speeds of 240 miles per hour and performing daring maneuvers that could end in disaster or blow a piston at a critical moment. This is all done with the amazing stunts and effective film editing and some great sound effects. It is apparent that CGI has come a long way as the entire movie looks like the real thing. I am not a gear head so I am sure some things got past me, but it looks like the best auto racing movie I have seen. The disadvantage is that since it is a true story, you have a pretty good idea how it is going to turn out in the end. The story does get a little ironic when you stop to consider that Ford is the Goliath here as they take on the much smaller auto company, Ferrari using virtually unlimited financial resources. The film is worthy of its Best Picture Academy Award nomination and its wins in both Film Editing and Sound Editing.

Bad Education

Bad Education                   4 ½ stars

I heard some good things about the HBO TV movie Bad Education so decided to give it a try. I was not disappointed by the Hugh Jackman starring vehicle about a huge school embezzlement case in Long Island, New York based on actual events. The movie follows Frank Tassone (Jackman), superintendent of one of the nation’s wealthiest school systems and Pam Gluckin (Allison Janney), his second in command as they raise the Roslyn school system’s profile getting a record number of student acceptances to top colleges and ever increasing local property values. Unfortunately, things start to come apart when one enterprising student on the high school student newspaper starts looking at the spending of the school system at local businesses and non-existent companies at the same time that Gluckin’s idiot son gets caught charging home improvement supplies on a school credit card. What follows are coverups and the shifting of blame until the source of the lavish lifestyles of the two school administrators eventually becomes apparent. (Imagine an administrator with a collection of suits, a BMW who takes first class airline seats on trips to Europe!) The story is told as a comedy/drama with some funny moments that is aided by outstanding performances from Jackman and Janney as well as the young actors portraying the students. This TV movie has received widespread praise and a couple of Emmy nominations that is well deserved. I am glad that I took the time to see it and you should look for it too.

Tell It Like a Woman

Tell It Like a Woman       2 stars

Tell It Like Woman is an anthology series, one of those movies that is a collection of short films that have a common theme or characteristic. In this case, all seven of the films are by different women directors and have women as their primary subject. It is notable for its Academy Award nominated song that plays over the closing credits: Applause by Diane Warren. I do have to say that it is a memorable song. The movie that it’s attached to, not so much. A couple of the stories are interesting like A Week in My Life by Japanese director Mipo O about a single mother who is struggling to go through her daily routine of raising two young children by herself. We see over the course of one week just how challenging this job can be. In Pepcy & Kim directed by Taraji P. Henson, Jennifer Hudson plays a drug addicted prisoner who is trying to keep her act together so that she can be released and see her young son again. Hudson also plays the part of the prisoner’s inner voice that tries to steer her in the wrong direction. The other films were less interesting and incomplete. Unless you are really into seeing some of the directors’ work or the actresses, I recommend that you skip it.

Honey Don’t

Honey Don’t                       3 ½ stars

Honey O’Donoghue is a female private detective solving cases in and around Bakersfield California where she mainly sees clients who need to know if their spouse or partner is cheating on them. The movie poster says “She only has two desires and one of them is justice”. It doesn’t take long before you figure out what the other one is. Margaret Qualley is Honey in Ethan Coen and Tricia Cooke’s new film Honey Don’t. She is a rock-solid detective almost like that of a Raymond Chandler private eye who talks like one of those B movie film noir detectives out of the forties. Her one weakness is that she can’t turn down flirtatious women and often ends up in the sack with them. As the movie begins O’Donoghue becomes involved in a case of a fatal car accident in the desert where one of her potential clients has been found dead. A local police officer, Marty Metakawitch (Charlie Day) on the scene believes it to be a simple car accident, but O’Donoghue thinks there is more to it. A running gag in the film is Marty asking Honey to join him in a drink, but she says “I Like Girls” to which the clueless Marty says “You always say that.” It doesn’t take long until more murders are discovered, and O’Donoghue finds leads that indicate that a local church called the Four-Way Temple may be somehow involved. The church is led by the Reverend Drew Devlin (Chris Evans) who is a real douchebag who likes to engage his female parishioners in sex and has some side businesses going on too that sometimes require the elimination of certain problems. During her investigations Honey encounters MG Falcone (Aubrey Plaza), a female police officer who also happens to be gay and Honey does not miss the opportunity. (But don’t worry. The sex scenes are pretty tame.) Honey also has a sister who has a large brood of children which Honey is very protective of. All of the female characters seem to have one thing in common and that is having bad relationships with their fathers, especially true for Honey and her sister. When one of the sister’s girls (who was beaten by her idiot boyfriend) goes missing, O’Donoghue pays the boyfriend a visit in his trailer asking where she is. Not getting a good answer, Honey gives him what he deserves and let’s just say you had better not mess around with Honey. Like other Coen movies there is plenty of ironic violence and moronic villains to go around. The movie falls apart somewhat due to a plot that isn’t quite coherent. I felt there were some things being left out leaving it less than satisfying. But I will say that Margaret Qualley’s performance makes up for the film’s shortcomings. I would love to see her in a sequel. She has been in some great roles including those in Once Upon a Time… In Hollywood, Poor Things and The Substance. This movie by Coen and Cooke (who is Ethan Coen’s wife) is the second in a planned B-movie trilogy that are centered around lesbian characters. The first was last year’s Drive-Away Dolls that also starred Qualley as a girl on a road trip with her very uptight friend. (Along the way they encounter some very inept crooks and an all-lesbian soccer team.) It is one that I recommend. The third installment is still in the works. I have no idea what Coen and company have in mind yet, but I will certainly watch for it. Also, I am convinced that I have no need to visit Bakersfield, California.

The Rental

The Rental                          4 stars

With The Rental, actor Dave Franco shows that he can direct an effective thriller/horror film that will keep you on the edge of your seat. It’s hard to describe this movie without giving away spoilers so I can’t go into great detail. In the movie, a group of four friends decide to celebrate Dan’s successful business venture by renting an oceanside house for the weekend. Dan, his wife Michelle, his brother Josh and his business partner Mina travel to the house they found online planning a drug fueled fun weekend. Josh and Mina also happen to be starting their own relationship with each other. Tensions start to mount when they meet the caretaker who has racist tendencies toward Mina who has a foreign name. As in a good thriller, things get progressively more tense as we see that some of the characters are less than honest with each other. Suspicions arise when Josh’s dog, Reggie suddenly disappears. When one pair of our friends discovers evidence that someone has been watching them, the fear of revealing secrets set in and accusations are made. It is here that what starts as a character driven thriller suddenly transforms into something more sinister and the violence finds its way into the story. The movie is aided by effective cinematography, some well placed foggy night scenes and four good performances by the actors portraying some rather narcissistic and not so nice people. As in most horror movies, the characters make some very questionable choices that only make their situation worse. The Rental is good entertainment that takes its time to develop and does not rely on sudden scare scenes, but it will only work for true horror fans.
 

Tigertail

Tigertail                4 stars

The Netflix movie Tigertail is a drama about one man’s journey through life as an immigrant from Taiwan to America and the questioning of one’s choices through life. It’s a well-constructed story done in non-linear fashion going from Pin-Jui’s childhood on a Taiwanese farm until his old age in America. We see him as a carefree young man in the sixties who loves to dance with his girlfriend, but lives in poverty with his mother and works in a factory. Pin-Jui decides to give up this life for the promise of something better in America but does so by accepting and arranged marriage to the daughter of a wealthy businessman. In scenes flashing forward we see him as an older man in his seventies who lives alone and is questioning the choices he has made. Through his unwillingness to open-up and show any emotion with his family, he has pushed them all out of his life. The question becomes can he make amends before it is too late. The movie is both about how we treat loved ones and about what an immigrant can give up in their quest for a seemingly better life in America. It’s a worthwhile film, but the sequence of scenes the director uses will require the viewer to pay close attention to the screen. Tigertail is mostly in Chinese with subtitles and it appears to be Alan Yang’s first directorial effort.

Loaded

Loaded                 1 star

The 1994 British made indie thriller Loaded can be described as an exercise in navel gazing involving a bad LSD trip. The movie has a group of London teenagers traveling to a remote old mansion where they aim to make a bad horror movie. Along the way there is lots of philosophizing about life and what they hope to get out of it. One character, Neil, theorizes that thoughts toward a person can make one responsible for what befalls them and this may be a premonition. Two of the characters have real ambitions of becoming filmmakers with one of them having an obsession with real psychopaths. Eventually, when the group takes LSD the consequences are severe as one of their members ends up dead. Then the group must decide together what actions to take. The movie is only notable for early roles for two of the actors, Catherine McCormack and Thandie Newton. This film is a collection of clichés, self-pity and nineties hair styles. It should be avoided.

Richard Jewell

Richard Jewell                   4 stars

The based on a true story film, Richard Jewell is a very professional telling of the wrongful treatment of the security guard that discovered the bomb that exploded in Centennial Park at the 1996 Atlanta Olympics. Jewell, played by Paul Walter Hauser was hailed as a hero for saving many lives for a few days, but then was identified as a suspect by the FBI and was vilified by the news media, all with no real evidence linking him to the crime. Hauser, very convincing as the slowwitted wanna be cop, previously played the bodyguard of Tanya Harding in I, Tanya, a similar role. Excellent performances are also given by Sam Rockwell as the private attorney representing Jewell who never gives up on his client, Kathy Bates as Jewell’s suffering mother (for which she received an Academy Award nomination) and Jon Hamm, the sleazy lead FBI investigator who would never admit he was wrong. The story is a well told cautionary tale about how a rush to judgment can ruin a person’s life and reputation all in the quest of scoring big headlines. Even now many people remember the sensational nature of the story instead of the final result that Jewell really was the hero at Centennial Park. The events happened well before the arrival of social media, but the warnings of misleading stories are even more relevant today with Twitter and Facebook. Even with all that, it’s impossible not to notice the political nature of a story that attacks the reputation of the FBI and the news media. The movie arrives 23 years after the event and 12 years after Richard Jewell’s death. So, why release it now when the current administration constantly tries to discredit the FBI and the news media? The agenda is unmistakable. Even so, the movie is well done and serves to clear the reputation of a good man.

Underwater

Underwater                       2 stars

While watching Underwater, the movie about a deep sea research facility that is suddenly attacked by strange sea creatures, I had the distinct impression that I had seen it before. Much of the elements of it are taken from The Abyss and Alien, both about mysterious creatures attacking a small group of survivors. This does not bode well. In Underwater we have a group of six survivors that must crawl their way through the wreckage of the laboratory that happens to be seven miles below the surface. As you would expect the suspense comes in as you wonder which one will be the next to die. The sets and effects look very authentic so this was an expensive movie to make. We know little about the characters as they try to stay together to protect each other and maintain sanity. The movie was derivative and you might say boring.