Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Generation Wealth

Generation Wealth         2 ½ stars

Filmmaker Lauren Greenfield has made a series of documentaries dealing with obsession. A few years ago she made The Queen of Versailles, a film about billionaires David and Jackie Siegel who tried to build the largest house in the country. It’s all part of a career of examining the excesses and materialism of our modern society. Now she brings us Generation Wealth which examines obsession with wealth and the appearance of wealth. She examines the lives of several Americans and some foreign cultures as well as they strive to achieve vast sums of wealth or spend money like they are wealthy. She has been examining this subject as a photographer for her whole career going back to the nineties when she was looking at spending habits of teenagers and has amassed a collection of hundreds of thousands of photos. She looks at so many aspects of the phenomena that I though the film tended to lose focus. Not only does she talk about billionaires, she also looks at American’s obsession with beauty, plastic surgery, child beauty pageants, work and even pornography. Ultimately, she examines her own life and her indulgence in her own career as a photographer. Her subjects are some of the people she has been following in her work for years and ultimately they come to realize that their pursuit of wealth and material possessions does not bring them fulfillment. It’s a depressing movie that was not quite what I was expecting. It could have been more interesting with more limited subjects and without all of the late regrets. I do recommend her earlier work though, The Queen of Versailles.

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World      4 ½ stars

Last year brought the third chapter of the How to Train Your Dragon trilogy and it is a fitting ending to the story of the young Viking leader, Hiccup (Jay Baruchel) and his close dragon friend, Toothless, who is always by Hiccup’s side. This time the Vikings of Berk are living peacefully with their dragon friends, but things have gotten very overcrowded. You could also call the movie, “How to Train Your Dragon: The Love Chapter”, as there is a new character in Toothless’ life, a female all white Light Fury, who has captured the attention of Toothless. There is a new villain also in the person of Grimmel (F. Murray Abraham), a master dragon trapper who together with the Trappers are seeking to put an end to the peaceful cooperation between the Vikings and their dragon friends. As the leader of the Vikings, Hiccup can see they cannot safely remain in their village and leads humans and dragons with the support of his girlfriend, Astrid (America Ferrera), in a search for the mysterious hidden world, the legendary land from which the dragons originated. The movie excels once again with the Disney animation we have seen in the previous chapters, (which go way back to 2010 believe it or not). Besides giving us the thrills of its action sequences, the movie is best when focusing on the friendship between Hiccup and Toothless, which resembles traditional movies dealing with a boy and his dog (or horse). But this time Hiccup faces the new challenge of facing what is best for Toothless and everyone in his world. This third chapter in the How to Train Your Dragon series, I think measures up to the quality of the original, something we rarely see in this age of multiple movie sequels.

Mississippi Masala

Mississippi Masala           4 stars

Mississippi Masala from 1991 is an early work of director Mira Nair who is best known for her movie Monsoon Wedding about a large family wedding in India. It is also an early starring role for actor Denzel Washington who is obviously very well known. Nair starts the story in 1972 Uganda where the Indian family of Jay, Kinnu and young daughter Mina are forced to leave their home by dictator Idi Amin. Amin has declared that all Asians must leave the country after the government took possession of their property. The family lands in the American Deep South, in Jackson, Mississippi where the story picks up in 1990 where Mina (Sarita Choudhury) is now an adult with ideas of her own. Mina works at a local Indian owned motel, a situation that director Nair discovered to be quite common in the South at the time the movie was made. There she happens to meet Demetrius (Washington), a young black man who operates his own carpet cleaning business and stays in the area to care for his father. It doesn’t take long for a connection to be made between the two and the romantic sparks take off with the romantic scenes being quite intense for the time period of the making of the movie. It is when the families find out what is going on that the racial aspects of the movie really become the story. Despite the racism that exists against both Indians and Blacks from whites, the movie exposes the prejudice feelings that members of people of color have toward one another. Thus, despite the friendliness the families may show toward the other race, when it comes to matters of the heart and family, people are not so openminded. The movie is about two hours long and perhaps tries to cover too much ground in that time with more characters than is necessary. It is a worthwhile early effort of Mira Nair and I was glad to run across it. It is also interesting to see a movie from nearly thirty years ago and notice how movies have changed.

Weathering With You

Weathering with You      4 ½ stars

Weathering with You is the creation of Japanese writer and director Makoto Shinkai, who has made several animated films, but this is the first that I have seen. The animation looks a lot like the animated films of Hayao Miyazaki, of which I have seen several, like Kiki’s Delivery Service. The story centers on teenager Hodaka who has run away from his small town for the big city of Tokyo. There the city is engulfed in horribly gloomy rain that reflects the circumstances of the runaway. While he is taken in by a man who seeks to exploit him in his gossip magazine business, Hodaka meets a young girl named Hina that he takes an immediate liking to. She also comes from an unfortunate home situation and has a younger sister and brother to look after. Hodaka discovers something very unusual about his new friend. Hina possesses the power of a Sunshine Girl, a being of a Japanese myth who is able to control the weather through prayer. Her explanation is that she came to be this way through her praying by her dying mother. The pair find that they are able to make a living off of this power by bringing sunshine to Tokyo for payment. They soon become quite the celebrities on social media, but find that this power comes at a price when it endangers their lives. The weather aspect of the movie reflects the mood on screen of the main character and has a message about climate change as Tokyo is threatened by the rising water level. I found the movie to have a dramatic message about the power of love and self-sacrifice. It has some very detailed animation of an urban landscape drenched in rain and some well placed songs to support the mood of the film. Shinkai is also known for his very successful earlier film in Japan called Your Name. I have not seen it but it apparently has a similar theme to Weathering with You and sounds like it would also be worthwhile to see.

Corpus Christi

Corpus Christi    5 stars

The Oscar nominated film from Poland, Corpus Christi, is about a young convict who wants to go to seminary, but upon being released from prison is told that no seminary will take an ex-con. Thus, what does Daniel do? He finds a parish in a small village and convinces the people that he is in fact a priest. Not only does he convince the local priest of this, he is asked to fill in for him while he is sick. Soon Daniel is hearing confessions and is leading the Mass delivering heartfelt messages that the people love to hear. There is a subtle message in the fact that he was working in a sawmill while in prison. Of course, the audience is wondering how long can he get away with this charade? The premise is not exactly believable when it is set in the present where information on people is readily available online, but never mind that detail. Fortunately, there is more to the story as the village has recently suffered the terrible tragedy of losing six young people to an accident and it is clear there is a lot of healing needed by these people. Thus, there may have been a very good reason that Daniel happened to do his impersonation at this time. The story develops slowly throughout the movie and is aided by a superior performance by the protagonist, Bartosz Bielenia. It keeps the viewer guessing as to where the movie is going throughout. I could have seen this movie winning the Best International Film Academy Award.

Wildlife

Wildlife                 3 ½ stars

One type of movie I like to find are the dramas set in small rural towns in the West, South or Midwest. Usually these films feature characters who face bleak prospects and have troubling family problems. Set in 1960 rural Montana, Wildlife fits that description well. It’s about a young couple, Jerry and Jeannette (Jake Gyllenhaal and Carey Mulligan) and their teenage son Joe (Ed Oxenbould) who have recently moved to town and are struggling financially. Then Jerry loses his job at the country club, so Jeannette and Joe have to pitch in with low paying jobs. In a seemingly desperate act, Jerry volunteers to help fight the forest fires that are ravaging the area for little pay. Of course Jeannette is outraged at the decision, but can do little to change Jerry’s mind. It is here that the film takes a dark turn as Jeannette meets a local wealthy man (Bill Camp) on her job at the YMCA and begins to see him outside of work. She also enlists 14 year old son Joe in the affair by not hiding anything from him. The acting from Oxenbould and Mulligan is excellent and the representations of 1960 America in the cinematography is spot on. The actions that Jeannette and Jerry take often seem unrealistic contributing to an uneven tone throughout the movie.

Borat Subsequent Moviefilm

Borat Subsequent Moviefilm      4 ½ stars

It’s been fourteen years since that odd-looking foreign journalist, Borat Sagdiyev invaded America and made a mockery of American values in Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. Now he has returned after spending years in a Kazakhstan prison and is sent on a mission to deliver a wise monkey to a prominent American politician in order to restore the glorious image of his native country. He arrives in America, only instead of the monkey his teenage daughter Tutar has stowed away, so the mission is changed to delivering the sexy girl to Vice President Mike Pence! The film by master funnyman Sacha Baron Cohen takes a hard look at America under Trump, Coronavirus and all and finds plenty for us to laugh at. This includes getting a cake decorator to write “Jews will not replace us” on a cake, getting a makeup stylist to recommend a skin shade to suit a racist family and getting a plastic surgeon to describe a Jewish nose, all without hesitation. The comedy is mainly done by filming people in real life situations without the knowledge that it is all part of a satirical comedic movie, just like was done in 2006. The targets of the film are mainly right leaning or hard right people who are the type that support Trump. Since most of the film takes place in Texas, Oklahoma and Georgia it wasn’t hard to find these folks. (Romania was a stand in for Kazakhstan.) In one scene Borat goes to an alt right rally and appears on stage where he sings a song about physically attacking President Obama getting cheering approval from the audience. The crowning achievement of the movie comes near the end when somehow he gets Rudy Giuliani, Trump’s personal attorney to agree to a fake interview with Tutar (who calls herself Sandra Jessica Parker). The unsuspecting Giuliani ends up in a hotel room with the girl with his pants unbuttoned and his hand reaching in his pants! I believe everyone has heard of the scene by now and something about there being a lawsuit over it. The amazing thing is how Cohen hasn’t been beaten up during the making of the movie. Sasha Baron Cohen is known for his outspoken views against racism, religious bigotry and sexism. He uses this latest film as a biting satirical message against those that hold such beliefs and does it in hilarious fashion. The viewer should be warned that there is abundant use of crude scenes and graphic language throughout the film, so you are warned.

The Assistant

The Assistant     4 stars

I first heard of The Assistant when it was released at Sundance in January. I even managed to attend a panel there with the director, Kitty Green and the star, Julia Garner, though I had not heard of them before. Garner won an Emmy earlier this year for her role in Ozarks. She plays a young woman who has recently gotten a job as an assistant to the assistants of a powerful movie executive at a major movie studio. The movie becomes a realistic portrayal of a day of working for a predator who seems to be immune to criticism. We see the woman as she arrives for work in the dark and goes about her work day which includes cleaning up the boss’ office, cleaning dishes in the kitchen, preparing schedules, making copies and taking phone calls. She has coworkers, but for the most part she goes unnoticed with no one calling her by name. She also has the unwanted job of dealing with the boss’ wife, making excuses for his whereabouts. We never see the boss, but hear his voice on the phone as he expresses his displeasure when something is not to his liking. He even makes the young employee put apologies to him in writing when she makes a mistake, pledging not to let it happen again. Eventually, another young woman arrives at the office and it becomes an open secret that the boss is preying on the new arrival, leading Garner to approaching HR with a complaint. The movie is slow and seems very mundane until we get the point of what is being presented here. It’s a realistic representation of a misogynistic workplace and the total lack of power that female employees have in such an environment. One can’t help but notice the similarities that the boss has with the disgraced Harvey Weinstein. The movie is a good production, but not all moviegoers will appreciate the choices made by the writer/director in portraying what it must be like to work for a predator.

Honeyland

Honeyland          4 stars

Honeyland is a most unusual film, a documentary that unexpectantly became an environmental drama. I heard about it at the 2019 Sundance Film Festival but had not seen it until now. The filmmakers set out to make a documentary about one of the last natural beekeepers in Europe, a woman in her 50’s in Macedonia named Hatidze. She harvests the honey from beehives she finds in the mountains for survival and lives in an abandoned village with only her elderly mother and has no electricity or running water. She makes occasional trips into the city to sell jars of honey for what she can get. Otherwise, she takes care of her mother who can neither walk nor see. The drama starts when a nomadic family of cattle herders moves in next door with their herd and seven children. The patriarch of the family sees how Hatidze tends the bees and decides that would be a good way for him to make a living too. Hatidze gives instruction to the father and one of the sons telling them they must always leave a portion of the honey for the bees; otherwise the hive will collapse. Unfortunately, the warnings go unheeded leading to disastrous consequences. The filmmakers manage to film all this giving no hint of the presence of the crew. The beekeeper, Hatidze has a commanding presence when on screen and has a natural way of dealing with children and animals. The film itself is like a parable of man’s responsibility of taking care of the environment. It would have been fascinating to hear the director’s account of the making of the film. Unfortunately, there were no extras provided on the DVD copy that I used. The only other film like this that comes to mind is The Story of the Weeping Camel in 2004.

Bill & Ted Face the Music

Bill & Ted Face the Music              2 stars

Those dimwitted time traveling rockers Bill and Ted (Alex Winter and Keanu Reeves) are back 29 years after their last film and are on another adventure, this time to save the universe throughout time by finding their greatest song and uniting the world. This time around they are married to princesses Elizabeth and Joanna and each have a daughter, Thea and Billie who adore their dads even though their dads’ band Wyld Stallyns have not written a good song in all this time. The two girls even sound like their dads saying things like “Woa, dude”. The characters then embark on parallel adventures with Bill and Ted traveling to future years in search of their future selves who may have written great song that will unite the universe through all of time, while their daughters travel back in time trying to put together an incredible band composed of history’s greatest musicians with the likes of Jimi Hendricks, Louie Armstrong and Mozart. The film has some truly funny moments but for the most part it is full of glitzy special effects and loud retreads of the material from the original movie. There is an amusing reappearance of Death in the movie when Bill and Ted try to persuade him to let them leave hell. They finally agree to letting him join their band so they can make their escape in a SWAT van. George Carlin makes a magical appearance as Rufus from the future. I would rather not mention the robot sent from the future. Other than that there was not a lot to get excited about as many routines fall flat after a while. I would recommend revisiting the original Bill & Ted’s Excellent Adventure to get more entertainment.