Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Queenpins

Queenpins          3 stars

This week I found a rather silly comedy called Queenpins that is certainly worth a few laughs. While it’s based on a true story about a pair of suburban women who seek to make some money from couponing, it is not above creating some ridiculous situations and the use of bathroom humor to get some laughs. Kristen Bell stars as the cheerful Connie Kaminski and Kirby Howell-Baptiste is her partner JoJo who love to save money by clipping coupons and buying in bulk. The pair decide to expand their enterprise by selling coupons through the mail which is not illegal. The problem comes when they decide to expand further by “procuring” the coupons from a printing company through a couple working on the inside of a plant in Mexico. That would be the illegal part. Soon they realize they are in over their heads so they seek the help of a computer hacker named Tempe Tina (Bebe Rexha) who advises them how to set up fake businesses and use false identities to cover their tracks. While Connie and JoJo are making millions, their activities are soon noticed by a hapless loss prevention manager of the local food store, Ken (played perfectly as a bumbling fool by Paul Walter Hauser of I, Tonya and Cruella). Ken eventually gets the attention of a Postal Inspector (Vince Vaughn) and the hunt is on. Ken is along for the ride and must constantly be reminded that he is not a law enforcement officer. Vaughn with his serious tone and Hauser as the clueless schmuck play off well against each other.  The caper is reminiscent of the McMillions documentary about the real scheme to steal Monopoly games pieces, but Queenpins is strictly for laughs and is never to be taken too seriously. It is a super light comedy that is a bit of fun to start the fall off with.

Minari

Minari                   5 stars

I first heard of the film Minari at the 2020 Sundance Film Festival. I did not see it there but I heard that it was very well received by the audience. The movie, about a Korean immigrant family who move to Arkansas in the eighties was finally released about a year later, no doubt delayed by the pandemic. The movie was written and directed by Lee Isaac Chung, himself a Korean immigrant who came to America as a child with his family, so the film is semi-biographical with the young son David in the role of the writer. It is the father, Jacob’s (actor and executive director, Steven Yeun) dream to own his own farm growing vegetables native to Korea to sell to the local growing Asian community. This is of course very challenging and unfortunately, Jacob’s enthusiasm is not shared by his wife, Monica, who resents leaving California; thus, this becomes a source of tension in the family. There are a few references to racist attitudes from the locals, but for the most part the immigrant family is accepted in the community including at a nearby church they choose to attend. Probably the most interesting relationship is between young David and the grandma who travels from Korea to be with the family. At first he does not like her, saying things like she smells like Korea and doesn’t know how to be a good grandma. There are some funny scenes between the two and they eventually grow closer especially as grandma comes to know him and stands up for how he is treated. Grandma Soonja is played by Korean actress Youn Yuh-jung who would go on the win the Best Supporting Actress Academy Award for the role. The film is about the immigrant experience in America, but it is also about how a family deals with tough circumstances and the strain the relationships have to face. The film deserves its Academy Award nomination for Best Film, but some people may be put off by the ambiguous ending. The name Minari comes from a plant native to Korea that is used in many Asian dishes. It was part of the writer/director’s memory growing up and is known to be able to grow almost anywhere, making it a metaphor for the film.

The Eyes of Tammy Faye

The Eyes of Tammy Faye               3 ½ stars

It’s back to the seventies and eighties to the time of big hair, polyester pants and expensive furs with The Eyes of Tammy Faye. To say that Jessica Chastain stars as the iconic fallen Tammy Faye doesn’t bring justice to her performance. The actress known for her strong woman roles in Zero Dark Thirty, Miss Sloane and Molly’s Game transforms herself into the cheery, high-pitched, almost comic wife of the high powered TV evangelist, Jim Bakker as we follow her life from the sixties where the pair meet in college, to their creation of the massive PTL Network and to their ultimate downfall. Andrew Garfield takes on the role of Bakker, matching the enthusiastic personality of the televangelist, bringing his message of God’s love and prosperity to the faithful. To those of us who remember that time it is fascinating to see their origin, their rise to power and their ultimate fall as the couple’s marriage crumbles under the weight of unfaithfulness and greed. The film was a personal project of Chastain’s who has been working to bring the story to the big screen for years. While much of the movie might seem like a cliché, Chastain’s performance may be one of the best of her career. It is such a departure from her earlier roles that I had to check if it was really her when she first appears on screen. The movie serves as a reminder of how success can lead people astray, causing them to forget their true mission and pursue fame and riches instead. The Eyes of Tammy Faye brought back memories of the headlines of the late eighties of the corruption and extravagance of the PTL Network that ultimately lead to bankruptcy and prison for Jim Bakker. And who could forget the excessive eye makeup and tears on Tammy Faye’s face?

The Legend of Bagger Vance

The Legend of Bagger Vance       2 stars

Twenty years after its appearance in theaters I had the chance to see Will Smith and Matt Damon in The Legend of Bagger Vance, the movie that brings the fantasy world to golf. The fantasy character appears as Bagger Vance (Smith), some sort of deity who has come to earth to save local golf legend Rannulph Junuh (Damon) from destroying his life. Following his traumatic experience in World War I, Junuh has the opportunity to play in a golf tournament against two legends of the game, but has to regain his swing and confidence in himself. Bagger Vance has all the right words to get Junuh to understand the game and himself. Most of the movie centers on the game itself, spanning a 72 hole match over the course of two days. Like most sports movies there is plenty of drama in the event with missed opportunities and miraculous comebacks. Since it is golf and not horseracing, auto racing or baseball, the dramatic moments focus on balls landing on fairways and bunkers and the occasional long putt into the cup. I like a good sports movie, but I prefer homeruns and galloping horses to flying golf balls. For a good sports fantasy movie you can’t beat The Natural starring Robert Redford. If you haven’t seen that, I recommend seeing it over Bagger Vance. On a movie trivia note, Jack Lemmon has an uncredited appearance in the movie.

Dear Evan Hansen

Dear Evan Hansen           3 ½ stars

Welcome to the world of teen anxiety, depression and suicide attempts. This is the theme of the film adaptation of the Broadway musical Dear Evan Hansen which won multiple Tony awards a few years ago. There is much to like here if you can accept the premise of characters breaking into song to express their dilemmas. All of the actors give convincing performances even if lead actor Ben Platt at 28 is far too old to reprise his role as the teen with social anxiety, Evan Hansen. They include Julianne Moore as Evan’s mother, Kaitlyn Dever of Booksmart as Zoe, the sister of suicide victim Connor, Amy Adams as Connor and Zoe’s mother, Danny Pino of Law and Order: Special Victims Unit as their step-father and Amandla Stenberg as the overachieving classmate Alana. The movie deals with the touchy subject of teen suicide with a story of Hansen pretending to be a friend of Connor after he is told of his suicide by Connor’s mother. It seems a letter that Hansen wrote to himself as a therapy assignment was found on Connor’s body, so it was assumed that Connor was the writer. It is then that Evan goes along with the misunderstanding and constructs a lie making him a friend of the troubled teen before his death. The spreading of the lie seems beneficial at first with a fundraiser being started as a way to remember Connor, but things ultimately get worse for all involved. I believe I liked it more than most critics, but it is certainly not one of my favorite musicals. Maybe making a musical about teen depression and suicide is asking too much.

Flow

Flow                      5 stars

The movie Flow by Latvian film director Gints Zilbalodis is the third animated feature I have seen recently and like the other two, this one hits it out of the park. (Previously, I saw The Wild Robot and Memoir of a Snail.) Flow is highly unusual as all the characters are animals struggling to survive in a setting where there are no humans. The unique thing is that all the voices are normal animal sounds you would expect from these creatures, unlike The Wild Robot. The filmmakers did not want to use simulated sounds and went to great lengths to record actual animal sounds for the characters. The result is quite impressive. The story follows a lone black cat in a very green forest who encounters various other animals and does his best to keep from getting killed by them. Early in the film the cat takes shelter in an abandoned house that could be from the early twentieth century. There are multiple carved figures of cats outside that were left by the previous occupant who must have been a skilled woodcarver. Later, the cat encounters a pack of dogs who end up pursuing him. After evading them, the dogs return in a hurry, ignoring the cat. Behind them is a herd of elk that nearly tramples the poor cat. Then we see the true danger: a giant wave of water that is sweeping everything away in its path including our friend, the cat. As the water continues to rise, he finds dry land but that’s not the end of his troubles. Finding a high spot to perch on, he is about to go under again when a wooden boat floats by just in time to save him. Once in the boat, he is joined by a golden retriever, a capybara and a lemur. Each of these other creatures became separated from others of their own kind before finding refuge on the boat. Each animal behaves in a manner consistent with their species, but they manage to tolerate one another. Then at one point they make contact with a flock of giant white birds that tower over them. The birds are unusual in that they seem highly confident and fear nothing. One of these birds is cast out from his flock and joins the cat and the others in the boat and is knowledgeable enough to steer it. Together, they form an alliance determined to survive this watery world they have inherited. No humans are ever seen, but there is plenty of evidence of their past existence from the ancient towering ruins in this watery world. There is no explanation of their demise or the cause of the great flood. It is left to our imagination. The animation is very fluid and colorful but has an unfinished look to it as though it is from an earlier time, perhaps twenty or so years ago. The film’s message is clearly about individuals putting aside their differences and working together to survive. It ends on a hopeful yet inconclusive note. The film is suitable for all ages and at one and a half hours is the right length. I actually rate it above The Wild Robot, but that is my personal opinion.

Venom: Let There Be Carnage

Venom: Let There Be Carnage    4 stars

I went to see Venom: Let There Be Carnage without having seen the original Venom, thus not knowing what to expect. This movie out of the Marvel universe can be described as a buddy B-movie with plenty of humor about a codependent relationship between a man and his alien symbiote. The premise had been set up in the original with failed journalist, Eddie Brock (Tom Hardy) having formed a bond with a bodyless alien intelligent being called Venom. Venom helps Eddie out with his writing, crime solving career and in return Venom, gets to eat the heads of bad guys. The charm of the movie comes with the comic banter between the two with Venom using an inner voice in conversations with Eddie. And there is a tremendous amount of energy involved in Venom’s antics with his tentacles in the small apartment they share with a pair of chickens. The relatively short movie (for a Marvel movie) does have something of a plot involving a serial killer on death row named Cletus (a fiendish Woody Harrelson) who grants an interview to Eddie with dire consequences. It takes about half the movie before the real villain appears in the form of another alien symbiote who calls himself Carnage and the inevitable battle ensues. (Just the name of this movie gives you a good clue about the level of violence you are about to see.) Director Andy Serkis uses Hardy’s acting skills well in the funny codependent conversations in which Hardy voices both Eddie and Venom. I occasionally like to try out a good B-movie and this one was just the ticket.

Collective

Collective            4 ½ stars

The Romanian documentary Collective is a rare achievement in filmmaking, the filming of an investigation into a scandal while the investigation is unfolding. The film starts with a tragic fire at a night club in Bucharest in 2015 where 27 young people were killed. The scandal occurs later though when it is discovered that the burn victims being treated in the hospitals are dying from bacterial infections at an alarming rate. The investigation being run by a sports magazine called The Sports Gazette, finds that the disinfectant being used in operating rooms has been diluted by a factor of ten rendering it ineffective at killing bacteria. The publication and the journalist, Catalin Tolontan create a sensation when they reveal the company supplying the diluted disinfectant, and the fact that the company supplies the disinfectant used in hospitals throughout Romania. This well constructed documentary goes on to show the extreme levels of corruption that has infested the Romanian government and the health care industry. This is an industry that rewards people connected to the ruling political party with management positions in the hospitals, where they are free to line their pockets at the expense of public safety and abuse the health system employees. We even see the Romanian Health Minister giving a news conference where he assures the press that everything is fine with the disinfectant and that tests show that it is effective, a story that the press is not buying. The Minister is soon forced to resign. It’s an amazing story about a little sports magazine willing to take on a story that the larger media organizations stayed away from, even under threat of retaliation from a group of mobsters. The movie was nominated for Academy Awards for both Best Documentary and Best Foreign Film and it is well worth your while to check out.

Wicked

Wicked                 4 ½ stars

It has been over two decades since it first appeared on a stage and nearly ten years since the inception of turning it into a movie, and now Wicked has made it to theaters under the direction of Jon M. Chu (Crazy Rich Asians and In the Heights) bringing the Broadway musical numbers to the screen with some of the most lavish sets seen in a Broadway adaptation. The theater buffs know the story and the songs by heart by now, some having seen the stage show multiple times. I have not though, and won’t go into detail about the actual story, but will say that we see how the Wicked Witch of the West, known as Elphaba and Glinda first met at Shiz University and became friends and how Elphaba came to oppose a dictatorial Wizard (Jeff Goldblum) in the Emerald City. Earlier we learn that Elphaba was born with green skin so is shunned by those who know her even including her own father who blames her for her younger sister’s disability. The movie features the same characters of the play plus entire populations of Munchkins, students and teachers of Shiz university and the citizens of the Emerald City. The background consists of some very elaborate and colorful sets that can only be done in the world of film. The movie is titled Wicked, but at the beginning it is revealed that this is part 1. We will have to wait until next year for the remainder of the story. Of course, the movie shines most when Ariana Grande-Butera as Glinda and Cynthia Erivo as Elphaba are performing their widely recognized musical numbers such as the song Popular (sung by Grande). I understand that the songs were expanded some compared to the stage production and may be overdone. Grande is impressive with her wide range, but she is not quite the comedic talent compared to those who had the part on stage. The main attraction in my opinion is Cynthia Erivo with her commanding singing voice as well as her acting talent. She can convey the character’s emotions with simple frowns and glances. Erivo’s singing role in the movie is smaller than Grande’s but she really makes the most of it especially when she really belts out the song Defying Gravity, something I was really anticipating. I first became aware of the talent of this British singer born to Nigerian immigrants when I saw the 2018 movie Bad Times at the El Royale where she portrays a young singer struggling to become known. She was someone to pay attention to. The movie also has a theme very relevant to today when it shows the oppression of a group of characters by the ruling authority, that being the wizard. In this case it is the animals who are facing persecution, but they can represent any group that is different based on their appearance or country of origin. I already have Wicked, Part 2 reserved as one of my must see’s for 2025!

The Wild Robot

The Wild Robot                 5 stars

In DreamWorks’s animated feature The Wild Robot by Chris Sanders AI meets motherhood. Sanders previously directed Lilo & Stitch and How to Train Your Dragon for DreamWorks and now returns with another winner. The premise of this beautifully animated film has to do with a shipwrecked robot that is lost on an isolated island far removed from all humankind. The robot, called Rozzum Unit 7134 (voiced by Lupita Nyong’o), is programmed to serve and to obey all requests. She must complete every task when asked and frequently asks for feedback. In this new environment though, the furry and feathery inhabitants only fear this large menacing thing and usually just run away (except for the bear). After much confusion and getting thoroughly banged up, the robot goes into hibernation and through its artificial intelligence learns the language of the animals of the wild, but this still does not lead to much progress. Then, Roz as she comes to be known accidentally becomes acquainted with a new hatchling gosling after accidentally killing its mother. The gosling becomes completely attached to Roz and follows the robot everywhere. Thanks to a wily fox named Fink (Pedro Pascal), who has been watching all of this, Roz comes to realize that her new job is to care for the gosling, now named Brightbill (Kit Connor) and raise him until he becomes mature enough to fly on his own and leave the island. What follows is a series of comedic frustrations as Roz tries to find ways of feeding Brightbill and training him to swim and to fly. Every parent will recognize that this is what it is like to raise a child. Roz learns that not everything comes with analysis and logic, but from the heart, (a line that is said more than a few times). This theme accounts for about two thirds of the movie. In the last third, a villain is introduced in the form of robots from the human city Roz came from who venture to the isolated island to bring Roz back to civilization. The lead robot, (voiced by Stephanie Hsu of Everything, Everywhere, All at Once) a floating drone with long tentacles for arms is especially menacing. The movie then becomes a confrontation between the robots and the animals of the forest, symbolizing man’s destructive nature on the environment. I much prefer the earlier part with Roz interacting with the animals of the island to this part of the movie. The Wild Robot is highly entertaining and suitable for all ages. Look for it to earn a Best Animated Feature nomination. Also, the song “Kiss the Sky”, sung by Maren Morris could earn a Best Song nomination.