Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Against the Tide

Against the Tide  4 1/2 stars!

The second movie was a documentary from India called Against the Tide. This was some superior filmmaking by an Indian woman director.  Her subjects were two close friends from Bombay,  India who belong to the Koli community.  They both struggle to make a living by fishing according to their traditions,  but face the challenges of a dwindling stock of fish in the ocean and increased competition.  The director wanted to convey just how hard it is for them to make a profit and feed their families and she definitely succeeds.  The two have very different approaches to running their businesses.  One tries to use modern fishing practices with a large boat and crew, fishing in deep water fast from shore,  while the other uses a small boat with only a few hands and stays in shallow water. The conclusion is that either way the fishermen barely can stay afloat while trying to support a wife and their small children.  I found it amazing that the subjects put so much trust in the filmmaker when it exposes the internal disagreements in their families.  It is informative to see the conditions of poverty that these businessmen are fighting against.  We also get exposure to the illegal practice of fishing with lights at night in order to increase the size of the catch. I had seen stories about this before. So far Against the Tide gets my vote for the best documentary. 

Sorcery

Sorcery  4 stars

From Chile comes a story of witchcraft set in the historical setting of the 1880’s on the Chilean island of Chiloe. The actual events feature a crackdown on the indigenous Huilliche natives by the ruling Chilean authorities and the German settlers.  The fictional story features a young Huilliche girl, Rosa, whose father is murdered by one of the German settlers. She is sheltered by a lone indigenous man,  Mateo and learns about the ways of witchcraft practiced by her people going back centuries and vows to seek justice for her dead father.  It is a very dark and sad story that is aided by a threatening score.  It is yet another example of the unresolvable clash in cultures between native people and the white settlers who came to seek a new life. The story includes acts of the supernatural and the use of trained animals. I found it an effective and haunting way to tell the story. 

King Richard

King Richard       4 stars

If you want to see another inspirational sports movie then go see King Richard, directed by Reinaldo Marcus Green and written by Zach Baylin. But the movie is more than that as it is also about the unwavering belief and determination of Richard Williams, father of future tennis stars Venus and Serena Williams. Will Smith portrays Richard, the girls’ father who has a written plan for his two daughter’s success and will not accept defeat even in the face of the odds against them, coming from the streets of Compton in the early 1990’s. Even though we know what the eventual outcome is, stardom in the all-white tennis world for two young black women, the obstacles facing them appear all too real. Richard works with the young girls on run-down neighborhood tennis courts while having to fight off the young men of the streets threatening them and forces his way into meetings with the white coaches who are needed for the girls’ success. Richard tells a lot of stories of his growing up in a world of racial prejudice with a father who would not look out for him. (The movie does not even include the worst of it.) He is determined not to have this experience repeated on his daughters. Fortunately, there is also a mother, Brandy (Aunjanue Ellis) who looks out for their interests and calls out Richard when he tries to go too far without consulting her. The white coaches are perplexed at Richard’s insistence that the girls be pulled from the junior tournament circuit when he sees how the parents of the other girls are treating their daughters and the resulting behavior as spoiled brats. Of course the movie would not be the success it is without Will Smith’s convincing acting performance as the father who won’t take No for an answer. He is deserving of the acting Oscar he received (despite all the ceremony controversy). This sports movie delivers with the expected climactic competitive scene as is the tradition, but the focus shifts from the father to daughter Venus when she faces the best in the world. The movie is available on HBOMax.

She Said

She Said               4 ½ stars

She Said takes on the subject of sexual abuse and misconduct in Hollywood from a journalistic approach and from an entirely female perspective. This is the true story of the New York Times investigation and take down of one Hollywood’s most powerful producers, Harvey Weinstein. We have all heard the story before, of the decades of assaults and intimidation and coverup payouts that centered around Weinstein and in the end how it led to the Metoo movement throughout the corporate world. In the film we see the efforts of the two Times investigative reporters, Megan Twohy (Carey Mulligan of An Education and Promising Young Woman) and Jodi Kantor (Zoe Kazan of The Big Sick and The Plot Against America) as they follow leads, knock on doors and are rebuffed at nearly every turn. Through a series of interviews and flashbacks we get the stories of not only repeated abuse of Hollywood actresses (including Rose McGowan and Ashley Judd) and Mirimax employees, but of the multitude of enablers in the industry that allow the abuse to continue. The formula of the movie is one we have seen before, in All the President’s Men, Spotlight and The Post, only this time the reporting is down exclusively by women who in addition to their jobs have to deal with raising children and fending off creeps in bars. Even though we know the eventual outcome we feel the frustration of the reporters as they hear the stories but can’t persuade the victims to go public out of fear of their families learning what happened and retaliation from Weinstein. It is only after being informed of the payouts by the lawyers and accountants that they learn the true scope of the crimes. For the documentary treatment of the subject, see the 2019 movie Untouchable. It gives a firsthand account from some of the women victims and the exposing of Weinstein’s crimes.

Bones and All

Bones and All                     4 stars

From director Luca Guadagnino comes a story of two young lovers on a road trip travelling across the country in the 1980’s in a search for purpose. Timothee Chalamet is Lee, reuniting with the Call Me by Your Name director, and Taylor Russell is a teenage girl, Maren in this teenage romance horror as a young pair learning to deal with the secret that they both share. I won’t reveal what that secret is but let’s just say that it involves a lot of blood and they are not vampires. Bones and All is actually based on a young adult novel by the same name where the heat between the two young travelers gradually intensifies as they drive from one rundown  Midwestern town to another. The story is actually reminiscent of Badlands or Natural Born Killers as they commit certain crimes against the unsuspecting victims. We must understand that this is not a matter of choice. It’s just that this is who they are. Maren is on this journey to try to find her birth mother accompanied by a cassette recording from her father and her own birth certificate that reveals her mother’s hometown. She encounters Lee by scent, revealing that they share something in common. Oh, and there is an old man she meets along the way (Mark Rylance of Bridge of Spies) who teaches her some things about their kind. (This has to be the creepiest role of Rylance’s career to date! He plays it perfectly.) He will show up at the most unexpected of times. The well paced movie alternates between slow cinematic scenes of the country and loving interaction to scenes of utter bloody horror. There are also a few single scene roles for some well known actors including Michael Stuhlbarg, Chloe Sevigny, David Gordon Green and Jessica Harper. Despite their acting skills the movie mainly belongs to Taylor Russell who is very believable as the young Maren. Besides 2017’s Call Me by Your Name, Guadagnino is also known for his films Suspiria (also a horror film), and I am Love. This one is probably best meant to be viewed by the strictly horror movie fans. I look forward to his next project, Challengers, starring Zendaya coming in 2023.

Avatar: The Way of Water

Avatar: The Way of Water            4 ½ stars

The most anticipated release of the holiday season has finally arrived with James Cameron’s return to Pandora in Avatar: The Way of Water. Following the success of the original Avatar in 2009, this sequel can’t help but have some high expectations to aspire to. In the first movie we had the conflict between the technologically advanced humans from Earth and the primitive tribespeople of the planet Pandora called the Na’vi. In that battle one human, Jake Sully (Sam Worthington), an avatar in the form of a Na’vi man switched sides and aided the Na’vi leading to the expelling of the humans with the help of the sentient natural world. Now after many years of peaceful living, the humans or “sky people” have returned to Pandora where Jake has made a new life for himself with his Na’vi family. Everything about the humans is violent as their very landing on the planet destroys the environment in a firestorm. Leading a commando unit of humans converted into blue Na’vi bodies is Quaritch (Steven Lang) whose mission in life is the capture of Sully the traitor in order to help subjugate the indigenous population and conquer the planet for human habitation. That’s the background but there is much more to the movie and more than I can adequately describe. The scenes of the natural world of Pandora with the otherworldly creatures of the air and the sea are amazing to watch. The color and movement we see on the screen are beautiful and something we never grow tired of. The story itself is rather basic with the focus on the struggle between the invaders and the primitive but determined defenders represented by Jake’s Na’vi family. They are forced to flee their home in the forest and learn the ways of the island people who survive with the help of some incredible sea creatures. There are a variety of subplots that involve the four Na’vi children, the island people and the giant whale-like creatures called tulkun that may be as intelligent as people. Part of the wonder of the movie is the way that it was filmed. Most of the movie is animated but the animated characters are superimposed over the human actors. So this means that the scenes taking place underwater were actually filmed that way with the actors having to act out their scenes underwater, requiring them to learn to hold their breath for several minutes at a time for the filming. Then the creation of the world of Pandora is done with an army of animators. Part of the attraction is the amount of detail that went into making the facial expressions of the Na’vi characters. This goes a long way toward making them seem real. As far as the story itself goes, the conflict involving Jake seems small when you consider that an entire planet is being invaded. But since this movie is actually the second of an expected five movies in the franchise, I can forgive that. The situation is similar to that of The War of the Worlds where Earth was facing a technologically superior race, which itself was said to represent the plight of the American Indian. The ending is definitely set up for a sequel that is to come in 2024. Look for a multitude of awards for Avatar, The Way of Water and repeated viewings from the fans. But be prepared for a long sitting for a runtime that exceeds three hours!

Back to Black

Back to Black      2 stars

One genre of film that I really like is movies about the making of music. These are the ones where we see the process of coming up with and writing a good song. They can be either fictional or about a real artist. Unfortunately, we don’t get that in the new Sam Taylor-Johnson biopic called Back to Black, the movie about the rise and tragic end to British pop star Amy Winehouse (starring Marisa Abela) who died of alcohol poisoning back in 2011. Instead, the movie focuses mainly on her troubled romance to husband Blake (Jack O’Connell) who was addicted to drugs and alcohol and played a major part in allowing Winehouse to share in the addiction. We do get several stage performances of Winehouse and her disagreements with the record producers. (She could certainly stand up for herself.) But I didn’t see enough of her composing music and feeling it in the process, other than one scene early in the movie. Abela does a decent job portraying the singer, even using her own voice in some of the songs. (It’s unlike Elvis then where Austin Butler only did lip syncing.) Much better examples of artist biopics were Rocketman (Elton John), Bohemian Rhapsody (Freddy Mercury) and even Ray (Ray Charles). We also get too many scenes of her getting more tattoos, but we do see how that enormous signature beehive hairdo came to be. If you saw the documentary, Amy, from 2015 you would see some significant details that are left out of Back to Black. The movie treats her father, Mitch (Eddie Marsan) far too sympathetically as he in reality only returned to Amy’s life after she became famous and did little to help her out of her addiction. Her record producer and band members are treated as mere background characters, and her bodyguard is left out altogether, even though in the movie she is hounded by the paparazzi. In the end the movie is reduced to one about a bad romance and I think we already have plenty of those.

Marcel the Shell with Shoes On

Marcel the Shell with Shoes On                  4 stars

The stop motion animated feature Marcel the Shell with Shoes On can be described as poignant, heartfelt and fun. This charming “documentary” follows the life of Marcel, a one-inch-tall mollusk shell who has a face with one eye and a pair of sneakers. Marcel lives in a house that is now an Airbnb with his grandmother, Connie, who is also a shell. The latest resident in the house is a man named Dean who is renting the place until he can find a new home. But Dean happens to be an amateur filmmaker and he decides to film Marcel as he goes about his business of living, finding ingenious ways to get around such as using a hollowed-out tennis ball and a bottle of honey. Marcel is quite talented, coming up with makeshift inventions and putting on a show when the time calls for it. He can make telephone calls and has a piece of lint for a pet. But he can also make plenty of mistakes and is very conscious of his shortcomings, making frequent apologies. Marcel is the creation of Jenny Slate, who was on Saturday Night Live for one season and Dean Fleischer-Camp, film director and her then husband. They made short videos of Marcel and placed them on YouTube back around 2010, creating a viral sensation. They then got the idea of making a full movie about the little guy and wrote a story for him. Jenny does the voice and Dean does the filming. Reportedly, they spent seven years making the one-and-a-half-hour movie, released in theaters in 2022. The story is expanded as we learn the house was previously occupied by a couple who fought and split up, but the man took all the other shells that are Marcel’s family with him leaving Marcel and Grandma all alone. So, Dean suggests to Marcel that he can post the videos they make and get the word out about the search for Marcel’s “relatives”. The film has a good message about the value of family and community. It was definitely more entertaining than I initially thought it was going to be. It was nominated for a Best Animated Feature Academy Award.

Drive My Car

Drive My Car      3 ½ stars

Drive My Car, by director Ryusuke Hamaguchi is a real challenge to the viewer’s endurance that shows two people making a connection who have both endured unspeakable, painful loss. Yusuke Kafuku is a well known actor and director whose wife of twenty years, a television screenwriter died suddenly at home. Two years later he is picked to direct a stage production of a Chekhov play in the city of Hiroshima. There he is assigned a young woman driver who is to transport him around in his own old Saab, because the company doesn’t accept the risk for the valuable talent driving themselves. The film is highly complex and has a real story to tell, but at three hours in length this is a movie that really takes its time to develop. There are long scenes devoted to the script readings and rehearsals of the play where we wonder what Kafuku is trying to accomplish. He is obviously in pain over the loss of his wife even though it has been years since the event. The young driver seems like a minor character at first, but with her being around so much these two finally find that they share great tragedy in their lives. The lines and scenes from the Chekhov play serve to bring out the sense of loss too. One odd twist is that each of the play’s characters does their lines in a different language making it a multilingual play, a strange choice. It is also no mystery that the latter part of the movie happens in Hiroshima, a city that suffered great tragedy. That plays a part in the story as well. The movie includes some rather frank discussion about sex between the characters that is important to the plot, that we westerners might have trouble with. The movie was good but was very long. It delivers a dramatic message about enduring and living through the pain of life.

Babylon

Babylon                2 ½ stars

One word can summarize the Damien Chazelle tribute to old Hollywood known as Babylon. That is extravagance. In the opening scene there is a lavish party for the rich and famous taking place in the mansion of a Hollywood producer complete with drunkenness, cocaine use, nude dancing and a live band. The scene seems to go on forever, only ending with a live elephant being led through the ballroom in order to distract the partiers from the possible overdose death of a drugged out teenager. The movie is full of over-the-top situations and scenes full of extras that are designed to give us a sense of utter chaos. This is how Chazelle sees the world of Hollywood filmmaking in the twenties and thirties (which may not be far from the truth). Other scenes take us to the California desert where elaborate sets are created involving hundreds of people for simultaneous filming of movies. In the silent film era you don’t have to worry about the noise interfering with your scene. Throughout the movie we follow the exploits of three main characters, Manny Torres (Diego Calva), a young Mexican American man starting at the bottom of his career in Hollywood, Nellie LaRoy (Margot Robbie) an unknown actress who is ambitious and certain that she is to become a star and Jack Conrad (Brad Pitt), an aging Hollywood actor who doesn’t realize yet that his career is rapidly coming to an end. Their stories as well as those of a handful of other characters show us how people achieve fame in the film industry only to see their lives ruined or suffer humiliation after the public becomes tired of them. It is a theme as old as Hollywood itself, only Chazelle is determined to assault our senses with all the debauchery, treachery and extreme cruelty that he can pack into Babylon’s three hour runtime. It feels like he is trying to give it a Baz Luhrmann treatment only without the caring for the human qualities of the characters. This is from the same man who brought us La La Land, First Man and Whiplash, all more interesting and entertaining films than Babylon. There is a fascinating scene about the making of the original Singin’ in the Rain (not the Gene Kelly version) and a final homage to Hollywood where we see some of the most famous images from popular films including 2001:A Space Odyssey and Avatar. Margot Robbie I must say gives an amazing performance of the confident Nellie LaRoy and should not be blamed for this overproduced and overhyped movie.