The Holdovers

The Holdovers                   5 stars

Based on a list of several comedies I’ve seen over the years that includes Nebraska, The Descendants, Sideways, About Schmidt and Election, Alexander Payne must be one of my favorite directors. Now with The Holdovers, he has outdone himself. Payne is reunited with Paul Giamatti from Sideways to create a story about three lost souls that are forced to spend their Christmas break together at a New England boarding school for privileged young men in 1970. Giamatti is Paul Hunham, a professor of ancient civilizations who loves his profession, but despises the boys who have little appreciation for the insights Paul has to offer. Paul has been teaching at Barton Academy his whole adult life, but the staff and students all hate him. Since Paul previously found it necessary to fail one very politically connected student, the headmaster decided to punish him by selecting him to be the one to stay over Christmas break to supervise the holdovers, or those unfortunate students who have no place to go. Angus Tully (newcomer Dominic Sessa) is among the smartest yet most troubled of the students at Barton. He has been kicked out of three schools already and will have to go to military academy if it happens again. At the last moment he finds that he must be part of this small group instead of going to St. Kitts for break. Rounding out this trio is Mary Lamb (Da’Vine Joy Randolph), the African American head cook whose son graduated from the school, but then went on to serve in Vietnam and was killed earlier this year. She hasn’t gotten over the loss and you can just see the pain she experiences. The three combine to give us many humorous scenes, but also have a lot to share with each other about life and the struggles they are going through. Paul and Angus are both compelled to share critical moments from their past that shaped their lives. Oscar nominee Giamatti really gives a first-rate performance of the sad sack that is Paul who has an alcohol problem but keeps a positive outlook that hides the pain in his life. This may be Giamatti’s best performance to date or at least since Sideways. Sessa makes Angus a combative, smart aleck character who can also come to the defense of the unfortunate. I look forward to seeing more of him. (Also, fans of the series The Good Wife will recognize Carrie Preston in a small but important role.) The Holdovers will undoubtedly get several Academy Award nominations including Best Picture. Everyone should see this one.