All the Beauty and the Bloodshed             4 ½ stars

The documentary All the Beauty and the Bloodshed by documentarian Laura Poitras tells two stories that are inextricably intertwined so must be told together. The maker of Snowden brings us inside the life and world of artist Nan Goldin and connects it to the struggle to hold the philanthropist Sackler family accountable for the opioid crisis that has plagued America for decades. Not having ever been addicted to drugs myself I have always found it confusing how something like this massive crisis could have happened. One should not go into viewing the movie expecting a complete analysis of what brought about this problem of drug addiction. The film is a deeply personal account describing the life of Nan Goldin from her upbringing including the death of her older sister, Barbara, her life in the art world in Boston and New York City in the seventies and eighties to her efforts in starting the activist organization Prescription Addiction Interdiction Now (PAIN) to fight the spread of opioids. Most of the movie consists of Goldin telling her own story through her photographs and slide shows from her artistic creations. She tells of her own struggles with drug addiction and dealing with abusive relationships as well as telling of the lives of some of the prominent artists of that time in New York City including Cookie Mueller, David Wojnarowicz and Vivienne Dick. Interspersed in her story are segments dealing with the PAIN protests against the Sackler family, the owners of the pharmaceutical company Purdue, who made billions in profits by selling OxyContin and other drugs and was largely responsible for the opioid epidemic that has led to the deaths of approximately half a million lives. The protests by PAIN are brought against the art galleries and museums that have accepted donations from the Sackler family that include the Met, the Guggenheim, Harvard University, the Louvre and numerous other universities. Goldin’s awareness of the Sackler family’s role in the widespread drug addiction started in 2017. The protests eventually led to the museums ceasing to accept Sackler money and the removal of the Sackler name from the institutions. The movie does not tell us the whole story of the opioid crisis which would include the roles of the medical establishment and the government in allowing this situation to exist for so long. Some background on the Sackler family is included, but the real focus is on Goldin’s life and her drive to do her part in stopping the crisis brought on by these drugs. This fascinating documentary received an Academy Award nomination for Best Documentary this year. I will say that I saw the film in a theater and it was followed up with audience discussion. Some of those present did not see the merits of the film and voiced puzzlement over why it would be shown.